.RAW is a magazine drawing cross-disciplinary connections in arts and humanities, sketching out lines between people, projects, and ideas that oscillate between the digital and the physical.
.RAW highlights research at its initial or interim stages, allowing practitioners from various fields to accumulate material for further projects or papers, meet potential collaborators, and present research to public.
.RAW invites cross-disciplinary practitioners, who are interested in taking part in discussions, bite-sized visual collabs, and collaborative writing, interviews, online workshops, and visual experiments. If you are looking to develop an artwork series, a paper, working on your own research and eager to exchange ideas, build up connections for further collaborations, and share your work in progress that otherwise ends up being hidden in your personal archives - do get in touch: hello@rrraw.work
The call is open until the 1st of November 2025. In the expressions of interest please outline your area of practice, the format(s) of collaboration you are most interested in, and the questions you would like to explore together with other practitioners. .RAW will try to connect you with somebody whose practice aligns (sometimes in unexpected ways) with yours, and will organise a manageable, bite-sized collaboration, discussion, interview, workshop, or a material in a format you propose, to be published on .RAW.
The call is open until the 1st of November 2025. In the expressions of interest please outline your area of practice, the format(s) of collaboration you are most interested in, and the questions you would like to explore together with other practitioners. .RAW will try to connect you with somebody whose practice aligns (sometimes in unexpected ways) with yours, and will organise a manageable, bite-sized collaboration, discussion, interview, workshop, or a material in a format you propose, to be published on .RAW.
.RAW is inviting contributions to the second issue, BODY. The topics we'll be exploring are: machine's desire and affect, digital bodies and biopolitics, glitch and mistake, virus and intervention, hybrid bodies, digital touch and digital senses, AI bodies, and robotics.